Worlds with a past
Blade Runner · Willow · The original Star Wars trilogy
David returns to worlds that feel lived in before the story starts: worn surfaces, strange histories, darkness, wonder, and room for myth.
CinemaMachina / Creative lineage
These are some of the films, makers, and sounds David returns to. They shape his attention to the frame, but each CinemaMachina film has to find its own language.
Blade Runner · Willow · The original Star Wars trilogy
David returns to worlds that feel lived in before the story starts: worn surfaces, strange histories, darkness, wonder, and room for myth.
Akira Kurosawa · Wes Anderson · Buffalo ’66
Movement, geometry, color, and stillness can tell a story before anyone speaks. Different filmmakers, each unmistakable in the way they place a person in a frame.
Akira · Ninja Scroll · Studio Ghibli
Animation can make impossible motion feel physical. It can also linger on weather, food, rooms, and the small passages of time that make a world feel alive.
Terrence Malick · Emmanuel “Chivo” Lubezki
The camera can search with a character. Natural light, landscape, memory, and a fleeting human gesture can carry more than exposition.
05 / Listening room
Music is central to how David imagines and shapes a film. This is a collection of sounds he loves to create around, gathered as “Malick and Chivo” for CinemaMachina.
Open the playlist on Spotify ↗The crossing
Painting and sculpture were David’s first mediums. Software added another. Cinema lets them move together.
About David ↗